Merlin Chorus

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Merlin Chorus

The Battle of Britan - 13th August 1940. Fresh from a successful action over a marauding group of Me110s and Me109s attempting to raid port facilities at Portland during the Battle of Britain, Spitfires of 152 Squadron return to their base at Warmwell to refuel and rearm. As the distinctive sound of their Merlin engines echoes around Lulworth Cove, one of the Spitfires - hit during the engagement - is starting to smoke. Thankfully all will land safely, ready to continue the bitter struggle while Goerings Luftwaffe begin to intensify their attacks as they try to gain air superiority during one of the most decisive battles ever fought.

Merlin Chorus by Anthony Saunders.

The Battle of Britan - 13th August 1940. Fresh from a successful action over a marauding group of Me110s and Me109s attempting to raid port facilities at Portland during the Battle of Britain, Spitfires of 152 Squadron return to their base at Warmwell to refuel and rearm. As the distinctive sound of their Merlin engines echoes around Lulworth Cove, one of the Spitfires - hit during the engagement - is starting to smoke. Thankfully all will land safely, ready to continue the bitter struggle while Goerings Luftwaffe begin to intensify their attacks as they try to gain air superiority during one of the most decisive battles ever fought.

Signed limited edition of 400 prints  Paper size 26.5 inches x 20 inches (68cm x 51cm) Image size 21.5 inches x 14 inches (54cm x 36cm). Price £85.00

Signed by :
Warrant Officer David Denchfield
and
Wing Commander George W Swanwick (deceased).


Limited edition of 25 artist proofs  Paper size 26.5 inches x 20 inches (68cm x 51cm) Image size 21.5 inches x 14 inches (54cm x 36cm). Price £125.00

Signed by :
Warrant Officer David Denchfield
and
Wing Commander George W Swanwick (deceased).


Limited edition of 25 remarques  Paper size 26.5 inches x 20 inches (68cm x 51cm) Image size 21.5 inches x 14 inches (54cm x 36cm). Price £250.00

Signed by :
Warrant Officer David Denchfield
and
Wing Commander George W Swanwick (deceased).

ITEM CODE DHM1905

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Merlin Chorus - Signatures

Warrant Officer David Denchfield

Called up in 1939 he converted to Spitfires and joined 610 Squadron at Acklington in the Battle of Britain. On a Blenheim escort to St Omer in February 1941 his aircraft was hit and, having baled out at 5,000 feet, he was captured by the Germans. He spent time in several POW camps, including Stalg Luft III, and at the end of the war in May 1945 flew back to the UK in a Lancaster of 617 Squadron.

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Wing Commander George W Swanwick (deceased)

George Swanwick was born on 10th November 1915 and was an air-gunner on Wallaces and Hinds with 504 squadron at RAF Hucknall during the 1930s. In May 1936, 504 became part of the Auxiliary Air Force, and in October 1938 converted to a fighter unit, equipped with Gauntlets. In 1938 George re-trained as a pilot, and was promoted to Sergeant Pilot in August 1939. In May 1940 George Swanwick joined 7 BGS, and on 7th September was posted to 54 Squadron at Catterick flying Spitfires. He then went to 41 Squadron at Hornchurch. Commissioned in late 1941, he was posted to 222 Squadron at North Weald in April 1942 as a Flight Commander. In July George Swanwick joined 603 Squadron in Malta and in September 1942, George was posted to 7 OTU at Port Sudan as Flight Commander. In July 1943, he joined 81 Squadron in Malta as a supernumerary. George was invalided back to the UK and following his discharge from hospital in 1944, George held various staff appointments until the end of the war. George Swanwick was granted a Permament Commission in 1949 and retired on 30th April 1970, as a Wing Commander. Sadly, George Swanwick passed away on 4th January 2011.

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Anthony Saunders

Anthony Saunders

Anthony Saunders must be one of the most outstanding naval and aviation artists around today. He has extraordinary skill in portraying scenes of aerial combat that took place before he was born. Although in his own words Anthony prefers the artistic side of painting war aircraft rather than the historic side, he will spend many hours researching a subject, making sure that it is technically correct in every detail before applying any oil to canvas. The results of this technical and artistic skill are easy to see in his paintings; breathtaking skyscapes graced with the machines of aerial warfare beautifully brought to life with the rich colour that is unique to oil paint. With this skill it is hardly surprising that Anthony also paints many subjects other than aviation; scenes from Crimea and Waterloo are a particular favourite. He is equally at home with landscapes and portraits.

 

 


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